• bangerfabrique – ABOUT YOU x ADIDAS

    1′
    BTS Short – Fashion Brand Video

    2025

    Behind the scenes of brand shoot with About You X Adidas and bangerfabrique in Hamburg.

  • [weaving]

    5′
    Single Channel Video
    Full-HD, 16:9, Stereo Sound
    2025

    Commissioned work for “String Theory String Practice exhibition at Kunstraum Leuphana in Germany – November 2025.

    [weaving] becomes the next instalment in Jaron’s ongoing INTERLACEDISORDER series of glitched digital videos created in a pursuit of discovering unseen audiovisual experiences based on digital glitches and personal experience. His process relies mostly on a method called “HEX-editing” where the code of video files is deliberately and irreversibly altered.

    [weaving]

    Ever since going abroad to Hong Kong for two years as part of my double-degree at Leuphana, life has been split between two places almost opposite to each other on the globe. This experience sparked fundamental questions about belonging and home and what it means to be entangled in two separate social and cultural contexts. And while this experience vastly broadened my perception and understanding of the world, and even more so of myself, the physical distance between both places kept them ultimately separate parts of my life.

    This work is one of multiple attempts to bridge this distance, bringing experiences of both places closer together. By inserting my written thoughts directly into the code of my archival videos in a process called HEX-editing, I try to make visible the act of injecting myself into foreign contexts and its irreversible consequence on me on a digital level.

    The process can be compared to the workings of early automated looms, where the resulting pattern of a fabric becomes unpredictable when errors are introduced to the hole-punch cards giving the machine its instructions. The code of the videos is disturbed in a similar way, diverting from the desired pattern of naturalistic playback of a recording. Disturbing and rearranging the algorithmic instructions needed for digital decoding of video files glitches these videos out in unpredictable ways reflecting the sudden changes in my own perception of self and thought-to-be-known frameworks of life when entering new environments.

    This work stands as an invitation to re-find structure in these disturbances where we may discover a more accurate representation of life in its chaotic and often unrecognisable nature, though always inheriting an unmistakable beauty in its flaws and errors.

  • Andradonna – EXCESS Talk

    3′
    Artist Portrait

    2025

    Genre-bending musician Andradonna talks to EXCESS during the production of the music video for his song “Du Bist So” off his new album “The Shit Show”. Having started his career as a bedroom musician making dubstep sounds instead of doing homework, Andradonna gives insights into the themes of his most recent album, the struggles an upcoming artist faces in the age of TikTok, and the perceived state of the German music scene.

    Video by EXCESS

    Filmed and Edited by Jaron Kühmstedt

    Interview by Mikael Dylla

    Music by Andradonna “Du Bist So”

    Make Up by Vanessa Schneider @goddessofwitchcraft

    Dancer @rio_ninja__

    Find us on Instagram @excess.magazine

    Additional Footage by: Vanessa Schneider, Felix Willnauer, Alexander Royter, Sahra Röhlen, Samuel Röhlen

  • Louis Ottley – EXCESS Talk

    3′
    Artist Portrait

    2025

    Louis Ottley and LMO, two rising figures in the Hamburg underground punk scene, invited EXCESS to their home & studio to talk punk, representation of black people in the scene, and influences to their music.

    Video by EXCESS

    Filmed by Jaron Kühmstedt & Mikael Dylla

    Edited by Jaron Kühmstedt

    Music by Louis Ottley & LMO

    Find us on Instagram @excess.magazine

  • Tronje Thole van Ellen – EXCESS Talk

    5′
    Artist Portrait

    2025

    Video by EXCESS

    Filmed and Edited by Jaron Kühmstedt

    Find us on Instagram @excess.magazine

    Giving insights into his work and development as an artist, painter turned sculptor Tronje Thole van Ellen talks to EXCESS during the construction of his newest pair of sculptures now on show at Massoumi Gallery in Hamburg.

    Built from his portfolio of old and new paintings, two several meters tall towers, or trees, extend towards the glass roof of the old Stadthöfe complex. With paintings from all periods of his career, spanning almost a decade, Tronje also reflects on his growth as an artist and the changes his practice went through over the years, especially after recently becoming a father.

    The exhibition will be live until the end of June, 2025.

    Während des Baus seines neuesten Skulpturenpaares in der Massoumi Gallery in Hamburg, gibt der vom Maler zum Bildhauer gewordene Künstler Tronje Thole van Ellen im Gespräch mit EXCESS Einblicke in seine Arbeit und seine künstlerische Entwicklung.

    Aus seinem Portfolio an alten und neuen Gemälden gebaut, erstrecken sich zwei mehrere Meter hohe Türme, oder Bäume, in Richtung des Glasdachs der alten Stadthöfe. Mit Gemälden aus sämtlichen Phasen seiner Karriere, die sich über fast ein Jahrzehnt erstrecken, reflektiert Tronje auch über seine Entwicklung als Künstler und die Veränderungen, die seine Praxis im Laufe der Jahre durchlaufen hat, insbesondere nachdem er kürzlich Vater geworden ist.

    Die Ausstellung wird bis Ende Juni 2025 zu sehen sein.

  • SIGGRAPH Asia 2024 – Tokyo

    6′
    Event & Team Film – Congress and Fair

    2024

    For SIGGRAPH Asia 2024 Student Volunteer Program

    Director ARTHUR KWON

    Editor and Colorist JUNLIANG CHEN

    Editor and Animator YUNAHA UCHIMA

    Production Coordinator CAROLINA RAPP,
    KIRA AVDIEVSKAIA, SHUYI YANG

    Director of Photography JYUN OOI

    Cinematographer JARON KUEHMSTEDT

    3D Designer KEIGO SEKI

    Motion Graphics YEONGEUN BAN

  • SKINspection

    25 seconds
    Brand Film – Beauty

    2025

    For Cyte Magazine – 2025

    Film by Jaron Kühmstedt

    Photographer Stephan Ziehen

  • color where non should be

    Chemigram Series

    Photographic Paper, off-brand Developer, Adox Adostop Stop-Bath, Ilford Rapid Fixer
    24 x 30,5cm
    FOMASPEED Photographic Paper – matt, normal, N312

    2023

    color where non should be

    The material used in analog photography and printing usually serves a single purpose. They are engineered to precision over the years to make results as reproducable and the materials as reliable as possible for professional use. With black and white photographic paper the obvious goal is a quality, black and white print. Inherent to black and white
    printing is the abscence of color, manifested physically by the abscence of color emulsion in the paper itself.

    This series of three chemigrams explores what happens when the path of intended use and procedure is left and instead the malfunctions and limitations of the materials become the main focus of investigation. For the final three works only the standard chemicals and papers for black and white printing are used to create the opposite of what they‘re intended to produce, to create color, where non should be.

  • Imprint

    Angaben gemäß § 5 TMG
    Jaron Kühmstedt
    Hochallee 115
    20149 Hamburg

    Kontakt
    E-Mail: mail@jaronkuehmstedt.com

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    The contents and works created by the site operators on these pages are subject to German copyright law. Duplication, processing, distribution, or any form of commercialization of such material beyond the scope of the copyright law shall require the prior written consent of its respective author or creator. Downloads and copies of this site are only permitted for private, non-commercial use. Insofar as the content on this site was not created by the operator, the copyrights of third parties are respected. In particular, third-party content is marked as such. Should you nevertheless become aware of a copyright infringement, please inform us accordingly. If we become aware of any infringements, we will remove such content immediately.

  • TOKYO dec. 2024

    2025

    20 Pages
    105 x 150 mm
    Digital Print
    Japanese Binding

    This zine features photographs taken on my most recent trip to Tokyo in December of 2024. Shot entirely in black and white the pictures try to capture a grittier and rawer side of the city usually known for being clean and tidy.

    This zine came as a complementary extra with the 2024 Zine but is available as a standalone too.

    Contact me directly if you want to pick one up for yourself (15€ + shipping).